megan bridge & peter price ©
Previous Artists In Residence



Mauri Walton

Mauri Walton Mauri Walton is an actor, dancer, movement-artist, cabaret/host/singer/performer and multi-media performance creator. She has appeared in over 70 different productions across disciplines in film and theatre, and in countless and assorted venues in Philadelphia and beyond.  Mauri is currently deeply appreciative and thoroughly enjoying being an artist in residence at thefidget space in Philadelphia. Her own performance creations have run the gamut from delicate solos to 25 member ensemble productions.
She has ardently enjoyed collaborating and performing, with and for, numerous choreographers, directors, composers, and musicians, including: David Jacobson, Adrienne Truscott, Big Mess Theatre and Orchestra, Headlong Dance Theatre, Moxie Dance Collective, Group Motion,  Nichole Canuso, SubCircle, Grace Mi He Lee, Lee Ann Etzold, Kathryn Te Bordo, Mark O’Maley, Rebecca Sloan, David Gammons, Peter Price, Megan Bridge, Chris Mandra and Paule Turner among many, many, many others.  Her work has frequently been presented at the Philadelphia Fringe Festival, The Philadelphia Museum of Art, The Painted Bride Art Center, and at the Kimmel Center for the Philadelphia Orchestra.  She was quite favorably reviewed in ReelTalk for her portrayal of Nina in Vera Zubarev’s film, “Four Funny Families”.  Other critics have described her work as: “Genuinely, weirdly, intriguing”, “hilarious and adroit”, and as having “dark and twisty themes”.  She was cited as managing “somehow to reinvent the most famous scene in theatre” in her Hamlet deconstruction, “Tubey or Not Tubey, a Ham uhmLET”.  Mauri’s colleagues describe her as: “One of Philadelphia’s often kept secrets”, “performance art luminary” and “… well, Mauri makes the experimental performance world go ‘round”.  Audience members have described the effect of Mauri’s work on them as: “a single statement by Mauri Walton has forever altered my perspective on the topology of the causal pathways in the universe”, and “her portrayal of her subject was so quirky and yet so compellingly and hauntingly real”.  Mauri has received grants and awards for her work, among which are those from the PA Council on the Arts and through the Community Education Center.
To see some of Mauri’s non-performative creative outlets, check out her blog at:  http://www.vertigoplanes.blogspot.com.

David Konyk

David Konyk David Konyk is a dancer and choreographer based in Philadelphia.  David has long fostered a love of site specific work.  Having worked with some of Philadelphia’s leading practitioners of site specific work,
namely Leah Stein and Kate Watson-Wallace, it is plain to see where this love came from There is something about a piece that is tailored to the space that it is performed in that inspires and entices him.  However, for him, this does not necessarily mean to make work that is only able to be performed in one particular place, but rather, to create concise worlds that the pieces live in.  David’s current focus, as a choreographer, is to integrate all the elements of the stage into his creative process.  It is his hope to have all these parts play an active role in shaping and informing the work.  How do things like light, scenery and sound, effect the audience's perception?  How can playing with the natural mechanics of the human eye through lighting create effect, surprise and mystery?  How can costume and prop inform, hinder and create movement?  These are just a few of the questions David is concerning himself with lately.  His goal is to take a stronger look at all the parts that make up a dance piece as opposed to his previous method of focusing mainly on the movements of the dance.  Having spent fifteen years in a relationship with dance, David is ready and excited to take on this new perspective in his art making.  He is ever so thankful to thefidget space for the opportunity of this residency to allow him to play, discover and develop.
   
Currently, David is a member of the Leah Stein Dance Company and Group Motion Multi-Media Dance Theater.  His previous dance credits include Scrap Performance Group/Myra Bazell (1997-1999), The Bald Mermaids (1999-2000), Kate Watson-Wallace (2004-2007), and The Reactionaries (2004-2006).  As a choreographer, David’s work has been presented at the Community Education Center, Philadelphia;  Philadelphia Live Arts Festival, Philadelphia;  DanceNow/NYC, New York;  Dock 11, Germany;  Project Theater, Germany.  When not dancing, David is a student of American Sign Language and the Acting Class with Kenneth McGregor.  He can also be seen working at Honey’s Sit n Eat, in Northern Liberties, or zipping around town on his skateboard.  David graduated Cum Laude with a Bachelors of Fine Arts in Dance from Temple University.


Daniele Strawmyre


Daniele Strawmyre is a multi-media artist, choreographer, performer and educator based in Philadelphia. She directs the collaborative arts company readySetGO. Currently an artist in residence at thefidget space in Philadelphia, she's developing a performance installation inspired by Japanese ghost stories for October 2010 titled Kaidan Insuto. The staged version (Kaidan) will premiere at this year's Live Arts Festival as part of 8 (eight choreographers/eight new works) and is the culmination of 2 years of research and performance called The Obake Project. Daniele's past work has been shown at Mascher Space Cooperative, thefidget space, Pentimenti Gallery, Kumquat Dance Theater, the CEC, the Painted Bride Art Center,
the Philadelphia Museum of Art, among others, and in site specific performances throughout Philadelphia. In 2003 she co-curated, "Ladyfest Philly", a 4-day festival showcasing women's activism through the arts and in 2004 she participated in a 2 month residency with CIE Felix Ruckert in Brussels, BE and Berlin, DE (made possible by a grant from the Leeway Foundation). She has performed with companies here and abroad including Megan Bridge, Kate Watson-Wallace/Anonymous Bodies, Jeb Kreager/Brown Squad, Perpetual Movement and Sound, Workshop for Potential Movement, SCRAP/Myra Bazell, Janette Hough, Jerome Meyer and Isabelle Chafaud (NL) and CIE Willi Dorner (AT) in Philadelphia; Junction Dance Theatre in Pittsburgh; Martha Bowers Dance Theatre Etcetera in New York; and CIE Felix Ruckert in Brussels, BE and Berlin, DE. Daniele has students aged three to eighty-three and has been teaching for over a decade. She teaches Creative Movement, Ballet, Yoga, Pilates, Water Aerobics, Body Conditioning, Basic Anatomy/Kinesiology, Acting and Story-telling, Technical Theatre, Arts and Crafts, and Eurhythmics as well as college and professional level courses in Dance Technique and Improvisation. She earned a BFA in Modern Dance from the University of the Arts, in Philadelphia.


Bonnie Lander


Bonnie Lander is a coloratura soprano based out of Philadelphia, PA. Classically trained, Bonnie performs a wide range of contemporary music in a wide variety of spaces. Most recently, she performed with the Philadelphia Chamber Music Society under the baton of Leon Fleisher and as a participant in the Yellow Barn Kurtág Residency studying with soprano Susan Narucki, who affectionately termed her "the Janis Joplin of modern music." Bonnie is currently an Artist In Resident at thefidget space, a founding member of chamber opera company "Rhymes With Opera," and a featured artist with the "Embody" vocal arts series in Baltimore. She has performed experimental improvisation with amazing musicians Mike Formanek, David Smooke, Shodekeh, Kate Porter, and Peter Price. Bonnie holds a BM in Voice Performance from the University of Miami Frost School of Music in the studio of Esther-Jane Hardenbergh;
MM in Voice Performance at the Peabody Institute in the studio of Phyllis Bryn-Julson; two GPDs in Voice and Computer Music studying with Dr. McGregor Boyle. She is the only person to have twice received the Phyllis Bryn-Julson Award for the Commitment to and Performance of 20th/21st Century Music.


Chris Mandra

Chris Mandra is a composer and performer whose work has been performed in Europe, Asia, Canada and the United States. He holds a Bachelor of Music degree in composition from the University of the Arts in Philadelphia, PA; a certificate of study from the Liszt Ferenc Zeneakademia in Budapest; two Master's degrees -
one in music composition and one in computer music, both from the Peabody Institute of the Johns Hopkins University where he also completed all of the coursework for a Doctor of Musical Arts degree before abandoning that program. In 2004 he was awarded a fellowship to STEIM in the Netherlands to work on his wearable performance interface "the manDrum". He currently lives in Baltimore, gets to help create cool audio processing software (that he likes to use himself) for the company Intelligent Devices, and plays guitar for and performs extensively with the celebrated original psychedelic dance band TELESMA.


Gloria Justen
Gloria Justen, Violinist and Composer, is both a passionate performer of the classics and an innovative artist trying new approaches to music. Ms. Justen grew up in Houston, Texas, and from 1984-1990 she attended the Curtis Institute of Music in Philadelphia. Her principal violin teachers were Fredell Lack and Szymon Goldberg. Currently residing in San Francisco, Gloria is dividing her time between East Coast and West Coast. Ms. Justen has played with the Chamber Orchestra of Philadelphia since 1985, serving as Concertmaster since 2004. From 1990 to 2008 she performed and toured internationally with the Philadelphia Orchestra as a substitute violinist. She is associated with groups in Philadelphia and San Francisco such as Network for New Music, Orchestra 2001, the Relache Ensemble, the Empyrean Ensemble, the San Francisco Chamber Orchestra, and the magic*magic orchestra, and she has premiered and recorded many works by living composers. She has toured with the Philip Glass Ensemble for the Book of Longing project. Ms. Justen has enjoyed collaborations with musicians from diverse backgrounds, modern dancers and visual artists. Improvisation in various genres spurred her to create her own compositions. Some of these are written in the traditional manner for acoustic instruments, and others are digital sound collages incorporating electronics, field recordings, and surround sound concepts. Her first CD of original music, Four-Stringed Voice, is a collection of pieces for solo violin. Most recently her composition "Not Created or Destroyed" was performed by the San Francisco Chamber Orchestra.